Designer Profile: Dagmar Designs

With a new collection designed, created, and available for purchase every four to six weeks, Dagmar finds itself in an interesting situation: Far from compelled to keep up with worldwide trends but intrinsic in creating them. The fashion house’s devotion to constructing easily wearable fashion-forward jewelry with the highest-of -quality materials hardly makes it difficult for one to comprehend how the design house of Dagmar—created a mere six years ago—has developed such a strong international presence, steadily gaining in popularity and winning over clients. While other labels struggle to establish themselves as accredited talents, Pavan Anand—the CEO, founder, and designer of Dagmar who has a background in architecture combined with an eye for detail, design and exceptional marketing talents—has made the high-end label a mainstream mainstay.


Adorning the bodies of Hollywood and Bollywood royalty alike, the chic, diverse mix of designs has seen prêt-a-port designers vying to use the modish Dagmar jewelry in their advertisements and runway shows to accentuate their garments. One particular necklace, a circular cascade of cubic zirconia ending in a drop-pendant and a delicately dangling pearl, was featured in Ralph Lauren ads that graced the pages of Vogue, Vanity Fair and other illustrious style-based magazines. Dagmar was recently promoted in the TorontoLife.com newsletter, had a feature in Desi News magazine, was mentioned in an article on SweetSpot.ca, and celebrated a media launch at Judy INC.
Sushma Kilachand, the endearing and enthusiastic young design yin to Pavan Anand’s design yang, brings additional accomplishments to the Dagmar table—primarily a degree in fashion design and marketing as well as her own high-end women’s and menswear line. Skillfully incorporating her clothing designs into the thought process when it comes to designing for Dagmar, Sushma Kilachand manages to successfully create fashion jewelry that adds to and ultimately complements her rich, detail-oriented garments: Beaded duoppionis, patterned silks, and luxurious bridal wear.

Actively involving both themselves and the company in countless charity events, it is encouraging to see that Dagmar is not just out to turn a profit. Anand and Kilachand strive to keep themselves socially conscious: Their steady, concerted effort to give back to the world sees both designers contributing hours of their time as well as designs to such causes as the Heart and Stroke Foundation, the Herbie Fund, the Trillium Fund and various other hospital and domestic violence foundations. The design duo of Pavan Anand and Sushma Kilachand are nothing short of refreshing, breathing a perpetual breath of effortlessly-styled Indian design and culture into the world of fashion. With what Anand and Kilachand have managed to accomplish in five short years, it is unfathomable for one to even begin to speculate as to what the two gifted designers will be able to accomplish once they have both realized and reached their full potential. Limited to a restraint that they could only ever place on themselves, the possibilities for these two designers are seemingly endless.
BY JACQUELINE PARRISH / PUBLISHED MAY 2010
PHOTOS COURTESY OF DAGMAR, PROVIDED BY SUSHMA KILACHAND
PHOTOS (FROM TOP TO BOTTOM):
FIRST: PERSIAN CHANDELIER EARRINGS WITH AN ANTIQUE GOLD WASH AND A BRIOLETTE YELLOW QUARTZ DROP
SECOND: A "NIZAM" STYLED OPEN-BANGLE WITH AUTHENTIC ANTIQUE ENAMEL WORK AND ROSE CUT QUARTZ, ALSO AVAILABLE IN GREEN
THIRD: CONTEMPORARY EARRINGS WITH EMBEDDED WOODWORK
FOURTH: EGYPTIAN FILIGREE CUFF WITH GREEN ONYX AND QUARTZ
















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